The phrase “hit Canadian play” is not an oxymoron, although it may sound like one. Michael Healy’s The Drawer Boy opened in Toronto in 1999 and then appeared in most of the leading re

Rock idiom may have dominated American popular music since Elvis was drafted into the Army, but the musical theater embrace of rock has been fitful and irregular. Jonathan Larson scored a huge hit

Of all the upstate companies covered by the Syracuse New Times, only the Glimmerglass Festival in Cooperstown is a destination. Audiences are national and international as well as local. Producing

Dee Hoty delivers one-liners aplenty as fashion editor Diana Vreeland in Hangar’s Full Gallop 

Top-drawer talent drives the fun musical Fingers and Toes in Auburn

Cortland Repertory showcases its whodunit mastery with Agatha Christie’s The Hollow

The rain still falls in Spain for Merry-Go-Round’s knockout revival of My Fair Lady

The Talent Company slides through three decades of fun Grease productions

Naughty puppets tell it like it is in Covey Theatre’s area premiere of the not-for-kids musical Avenue Q

Real events spawned the edgy musical comedy