unsaid and should instead be embraced in person, especially since
Park’s cutout-style cartooning of what appear to be 18th-century
lithographs are jammed into a kinetic framework that’s always busy and
alive. Much like The Box’s central magician, Park always maintains the upper sleight-of-hand for this creative entry. A. U.S. premiere. IMAX, Sunday, May 4, 2:30 p.m.