Photographer Ben Cleeton’s gallery, titled Green Eyes: El Viejo, displays the struggle of a convicted criminal to continue supporting his family
Photographer Ben Cleeton’s Green Eyes: El Viejo, on display at the Community Folk Art Center, deals with a time of crisis for a Syracuse family. Cleeton documents a six-month period when Luis Charlesman, also called Green Eyes, was out on bail and awaiting sentencing for felony possession of heroin. The exhibit moves beyond involvement with the courts to discussion of a family context, to Charlesman’s ties with his wife and two stepdaughters.
The new ArtRage gallery displays compelling photos representative of the differing styles of South Sudan
The new display at ArtRage Gallery views a nation that gained its independence just four years ago. Impressions: South Sudan blends interpretive and documentary-style photos by Michelle Gabel and Bruce Strong, commentary by Liberia-based independent journalist Maureen Sieh, and information about South Sudanese who moved to Syracuse years ago but still return to their homeland to enhance health care and education.
‘The Sum of its Parts’ is on display through June 19 at the Edgewood Gallery
The Edgewood Gallery's current exhibition covers a lot of territory in a small space. The Sum of Its Parts shifts from whimsical sculptures to large abstract paintings, from paper collages to metal work. And it makes room for a slew of mixed-media works.
The annual Made in New York exhibit at Schweinfurth Memorial Art Center
The annual Made in New York exhibit at Auburn's Schweinfurth Memorial Art Center begins with the order imposed by jurors who choose works for the show and then transitions into a sprawling display hung on multiple walls. It features pieces by more than 50 artists who create oils, sculptures, photos, drawings and other media.
Arts writer Carl Mellor visits a new show by Juan Cruz, who has cut and reshaped his previous works
None of That: Nada de Eso, Juan Cruz's one-man show at La Casita Cultural Center, poses a fundamental question: Why would a talented artist take scissors and deliberately slice up a bunch of his paintings? For Cruz, that act isn't mutilation but an initial stage in a new creative process.
Prendergast to Pollock: American Modernism at Everson Museum
The Everson Museum of Art’s current show appeals on several levels. Prendergast to Pollock: American Modernism from the Munson-William-Proctor Arts Institute is an exhibition with depth, skillful discussion of changes in art in the United States over a 40-year period, and strong individual works.
Manifestation and Ambiguity runs through May 1 at Gallery 4040
Gallery 4040 showcases three artists who work in different media and employ varying visual strategies in Manifestation and Ambiguity. However, they all share an interest in identity and in discussing that subject with viewers.
“Winter Recipe” now at the Tech Garden
Syracuse Tech Garden's new exhibit presents artworks reflecting a range of interests. Winter Recipe travels from Tipperary Hill to North Salina Street, from a tranquil country locale to a swamp full of dread. The pieces include oils, acrylics, photos and mixed-media works.
Art writer Carl Mellor visits ArtRage’s display of photographs documenting the civil rights movement
The ArtRage Gallery photography exhibit Selma to Montgomery March at 50 pivots on three 1965 civil rights marches that played a key role in influencing Congress to pass the Voting Rights Act. Matt Herron's images not only discuss that larger narrative but also tell stories of everyday people demonstrating for political and human rights.
Xaviera Simmons’ one-woman show Accumulations, now at the Light Work Gallery
Xaviera Simmons' one-woman show Accumulations, now at the Light Work Gallery, doesn't offer straight-on narratives or develop conclusions in a linear fashion. Instead, seven large photos, selected from the artist's "Index/Composition" series, explore and investigate notions of culture, self-awareness, and the influence of art and media portrayals.